Max Vinetz

Composer - Bassist

Orchestra/Large Ensemble:

when the days begin to fade away (2017 - 2018): 26'

for violin and chamber orchestra

commissioned by Yale Undergraduate Chamber Orchestra, Emily Switzer (violin), Ian Niederhoffer (cond.), premiered April 21, 2018 at Battell Chapel, New Haven, CT

 

 

 

 

 

 

 

 

 

 

 

 

Unraveling (2017): 9'

for large orchestra

commissioned by Yale Symphony Orchestra, Toshiyuki Shimada (cond.), premiered November 11, 2017 at Woolsey Hall, New Haven, CT

Sea Poppies (2017): 9'

for soprano and chamber orchestra

Premiered by Yale Undergraduate Chamber Orchestra, featuring Ariadne Lih (soprano) and conducted by Ian Niederhoffer, Battell Chapel, New Haven, CT, April 2017

Point/Release (2017): 4'

for chamber orchestra

Reading by DeCoda Ensemble and New York Youth Symphony, conducted by JD Gersen at DiMenna Center for Classical Music in New York, NY, March 2017

Wandering in Familiar Spaces (2016): 7'

for 22 solo strings, 

Performed by Lemberg Sinfonietta, conducted by Ferdinando Nazzaro at the Concert Hall of the Lviv Philharmonic Society, Lviv, Ukraine, February 2017

Solo/Chamber:

still, unsettled (2018): 7'

for piano trio

commissioned by Yale College New Music

premiered April 6, 2018

gathering dust (2017): 8'

for percussion duo, commissioned by Icarus Duo

premiered November 11, 2017

here (2017): 6.5'

for flute, electric guitar, and stereo playback

commissioned by highSCORE festival, premiered by Unassisted Fold on August 18, 2017

 

 

 

 

 

 

 

 

 

 

 

 

Allemande (2016): 7'

for cello

Premiered by Benjamin Fleischacker at Dwight Hall, New Haven CT, March 2017; Recorded by Emily Azzarito at Belmont University, Nashville TN, April 2017

 

 

 

 

 

 

 

 

 

 

 

 

remove, remain (2017): 2.5'

for string quartet

recorded by Mivos Quartet at Valencia International Performance Academy 2017

Etchings (2017): 7'

for piano trio

commissioned by Valencia International Performance Academy for the B:3 Brouwer Trio, premiered July 2017

Bleuet (2017): 10'

for soprano, flute, alto saxophone, violin, cello, piano, and percussion

commissioned by Nief Norf Summer Festival, premiered at University of Tennessee, Knoxville, June 2017

Re- (2017): 11'

for two violins, two violas, electric guitar, and double bass

commissioned by New Music Cooperative @ Yale College, premiered at Adams Center by Cameron Daly, Alex Wang, Ian Niederhoffer, Sarah Switzer, Jack Lawrence, and Max Vinetz, May 2017

Splinter (2017): 4.5'

for double bass and percussion

commissioned by Patrick Fowler, premiered at University of Maryland, College Park by Patrick Fowler and Jon Clancy, May 2017

Monogram (2017): 15'

for three percussionists and piano

commissioned by Jon Clancy, premiered at University of Maryland, College Park by Jon Clancy, Ruth Bright, Lauren Floyd, and Emory Hensley, April 2017

Permeable Surfaces (2016): 11'

for string quartet

Premiered by Phoenix Quartet (Lviv) at the Concert Hall of the Lviv Philharmonic Society, Lviv, Ukraine, April 2017

Silver Liquid Drops (2016): 13'

for mallet percussion duo 

Commissioned by Yale College New Music, premiered by Icarus Duo at Beinecke Rare Books and Manuscripts Library, New Haven, CT, February 2017

Sequoia (2016): 8.5'

for trumpet, steel string guitar, nylon string guitar, cello, and double bass

Commissioned by Gallery+ (Yale University Art Gallery), premiered by Eli Brown, Jack Lawrence, Max Lyman, Benji Fleischacker, Max Vinetz at Yale University Art Gallery, New Haven, CT, November 2016

Switch/Seed (2016): 8'

for saxophone quartet

Premiered by Donald Sinta Quartet at Kerrytown Concert House, August 29, 2017.

Multimedia

Anger/Intrusive Thoughts (2018): 2.5'

for fixed media, string sextet, and video

Video: Sage Michaels

 

here (2017): 6.5'

for flute, electric guitar, and stereo playback

commissioned by highSCORE festival, premiered by Unassisted Fold on August 18, 2017

Vocal:

marginal at best (2018): 8.5'

for 8 voices

premiered by members of Yale Voxtet and Yale Schola Cantorum, conducted by Jacob Gelber

 

 

 

 

 

 

 

 

 

 

 

 

Bleuet (2017): 10'

for soprano, flute, alto saxophone, violin, cello, piano, and percussion

commissioned by Nief Norf Summer Festival, premiered at University of Tennessee, Knoxville, June 2017

Sea Poppies (2017): 9'

for soprano and chamber orchestra

Premiered by Yale Undergraduate Chamber Orchestra, featuring Ariadne Lih (soprano) and conducted by Ian Niederhoffer, Battell Chapel, New Haven, CT, April 2017

...and the song was wordless... (2016): 4.5'

for soprano and piano

Premiered by Kevin Madison and Caroline Dunigan at Transylvania County Library, Brevard NC, July 2016

Love's Philosophy

for mezzo-soprano and piano

Commissioned by Yale College New Music, premiered by Albatross Duo at Beinecke Rare Books and Manuscripts Library, New Haven, CT, Winter 2015